Iris Gardens, c. 1920 – 30s,   oil on board, signed lower right, 22 x 18 inches, notations verso includes title, artist’s name, and address $1750 Iris Garden is typical of Florence White Williams' approach to Impressionist painting. Williams was well regarded for her still life and landscape painting. Eleanor Jewett, art critic for the Chicago Tribune , wrote in 1931, "Florence White Williams is a painter with decided talent. Her work is fresh, vigorous, enthusiastic and ori

Moving Forms , c. 1947, oil on canvas, apparently unsigned, 23 ½ x 20 inches, exhibited The Twenty-Seventh Annual Exhibition of the Southern States Art League , Virginia Museum of Fine Arts, Richmond, VA, March 28 – April 23, 1947 (label verso) $8500 Beulah Barnes Weaver was a Washington DC-based painter, sculptor, and art instructor. Educated at the Art Students League and the Corcoran School of Art with Peppino Mangravite and Karl Knaths, Weaver deeply explored the American

Provincetown Landscape (Ptown Landscape) , 1942, oil on canvas board, signed lower left, 20 x 24 inches, titled and dated verso, labels verso read 1) “Provincetown Landscape / oil painting by Buelah Stevenson / 252 Fulton St. / Brkn / price $ [illegible] /” and 2) “New York Society of Women Artists”, perhaps exhibited: 1) Society of Independent Artists, American Society of Fine Arts, New York, NY, 1942 – 1944 under the title “Landscape", 2) 17th Annual Exhibition of the New Y

The Ditch , 1934, oil on board, signed and dated lower right, 18 x 24 inches, label verso has title, artist’s name, Colorado and New York addresses, and original price $4250 Virginia True painted The Ditch  during a key moment in her development as a Colorado Regionalist painter. She had moved to Colorado in 1929 to teach at the University of Colorado at Boulder and associated with a group of four other like-minded artists who dubbed themselves The Prospectors. Their goal was