Untitled, c. 1944, oil on canvas, signed on the reverse and inscribed "St. Mary's / Georgia, 35 3/4 inches x 47 3/4 inches", exhibited [Solo Exhibition], Mortimer Brand Gallery, New York, NY, January, 1946 $120,000 This painting was likely created during Gerome Kamrowski’s 1944 winter residence in St. Marys, Georgia, a period documented both by the inscription on the reverse (“G. Kamrowski / St. Marys Georgia”) and by the artist’s own handwritten autobiographical notes. In hi

Reversible Composition, c. 1937, oil on composition board, signed verso in pencil, 12 x 15 / 15 x 12 inches, “#11” “22” and #104” annotated verso, label verso reads on one side: “Charles H. Walther / American 1879-1938 / Reversible Composition / 12 x 15 inches / oil on board” and on the other side: “Inglett-Watson / Art Deco / Style Moderne / 884 Park Ave. at W. Chase / Baltimore, Maryland 21201 / 301 244 8064, provenance includes: Inglett-Watson, Baltimore, presented in a ne

Isotopic Matriculation, c. late 1940s, mixed media on Masonite, signed lower right, 15 x 18 inches, label verso reads: "Isotopic Matriculation / Ed Cowley / Price $25", presented in its original frame $5250 Edward P. Cowley was an American painter, stained glass artist, and influential professor whose career helped shape the development of modern art education in New York’s capital region. A Buffalo native, Cowley served in the 94th Infantry Division under George S. Patton in

Five Potted Plants, 1929, oil on canvas, signed and dated upper right, 38 ½ x 47 inches, titled verso, label with “#13” verso, noted “#9” verso; exhibited: 1) 45 Painters and Sculptors under 35 Years, Museum of Modern Art, New York, NY, April 11 to 27, 1930 (label verso from this show includes Biberman’s address: “58 West 57th St., NYC”); 2) Edward Biberman Exhibition, Montross Gallery, New York, NY, January 19 to February 7, 1931 (see brochure and Harris, Ruth Green, A Roun

Man at Machine, 1939, oil on canvas, unsigned, 9 ½ x 16 inches, label verso bears artist’s name and address, title, date, size and medium of the painting, exhibited Roszak Early Paintings, Harold Ernst Gallery, Ltd., Boston, MA, April 17 – May 4, 1973 (illustrated in the catalog), presented in its original frame $18,000 Theodore Roszak was a pioneering Polish-American modernist, who worked as a painter, printmaker, and sculptor. His early work reflected the clean geometry and

Untitled, 1953, oil on Masonite, signed and dated lower left, 7 x 11 1/2 inches, presented in an older (likely original) frame $1250 Ralph McGuire was an American painter whose work celebrated the industrial landscapes, waterfronts, and neighborhoods of his native Baltimore, as well as fantastical images of landscapes he created, such as the present work. His oeuvre spoke to a strain of American modernism which drew upon seemingly naive compositions and techniques to explore

Martha's Vineyard, c. 1951, oil on heavy board, signed upper left, 24 x 30 inches, signed, titled and dated verso, presented in a period frame $4000 Maurice Becker was a Russian-born American painter, illustrator, and political cartoonist. Although he is best remembered for his contributions to left-wing publications during the 1910s and 1920s, Becker was also an accomplished painter who produced landscapes, urban scenes, and figurative works over a career spanning more than

Sun Image, 1936, oil on canvas, signed lower right, 30 x 24 inches, presented in a newer frame $7,500 Jerre Murry was a California modernist painter. Born in Columbia, Missouri, Murry studied at the Detroit Academy of Art and worked as an artist for the Detroit News and Detroit Free Press. Murry traveled to the Bahamas, where he was inspired to paint modernist scenes of island life, people, and symbols, such as Sun Image. By the 1930s, Murry had relocated to Los Angeles, whe

House in Abstract Landscape (Untitled), c. 1950s, oil on board, estate stamp verso, 18 x24 inches, presented in an older frame $3,500 Fiske Boyd was a Philadelphia-born painter, printmaker, and arts educator. He studied at the Pennsylvania Academy of Fine Arts and the Art Students League with Kenneth Hayes Miller. Early in his career, Boyd adopted a modernist approach and joined the Charles Daniel Galleries in 1923. His works from the 1920s were spare compositions usually in

Untitled (perhaps Symphony in Blue), c. 1929, oil on Celotex, unsigned, 16 1/2 x 8 3/4 inches, likely exhibited at Negulesco's solo exhibition at Yorke Gallery, Washington DC, February, 1929 (see Mechlin, Leila, Notes of Art and Artists, The Sunday Star, February 10, 1929), presented in its original frame with a wide Celotex "mat" $4250 Jean Negulesco was a Romanian-born American artist, illustrator, and acclaimed Hollywood film director whose diverse career spanned many diff

Untitled Abstraction, 1958, oil on board, signed and dated lower left, 24 x 35 inches, presented in a newer frame $3900 Oscar Edmund Thalinger was an American painter, draftsman, printmaker, and muralist best known for his evocative depictions of the American Midwest, his 1950s and 60s abstractions, and his contributions to Missouri art during the twentieth century. Born in Paris, Missouri, on March 10, 1883, Thalinger demonstrated artistic talent at an early age. He moved to

Untitled Abstraction, c. 1950s, mixed media on board, signed lower right, 40 x 40 inches, presented in a new frame $4,250 Charles Logan Winebrenner was an award-winning Southern California painter, sculptor, and collage artist. He was born in Venice, California to parents Harry Fielding Winebrenner and Marie Underwood. Charles was raised in an artistic home. A West Virginia native who grew up in Oklahoma, Harry had studied art at the University of Chicago and the Art Institu

Of The Night, c. 1950s, mixed media on canvas, signed lower right, 10 x 30 inches, artist's label verso reads: "Telephone Gramercy 7-7338 / 'Of The Night' / $350 / Naomi Lorne / 124 East 24th St. / New York 10, N.Y. / Studio Al 4-7620 / East 23 St. N.Y.C.", presented in its original frame $1750 Naomi Lorne, born Naomi Duckman in Brooklyn, New York, was an American painter and sculptor whose career spanned American Scene painting to Abstract Expressionism. Lorne developed a r

Man With Necktie, third quarter 20th century, oil on canvas signed lower right, 29 x 23 3/4 inches, titled verso, presented in a new frame $1950 David Segel was an American painter, sculptor, draftsman, and educator whose career spanned more than five decades in the United States and Europe. Working in a wide range of media including oil painting, bronze and wood sculpture, and expressive drawing, Segel developed a modernist style distinguished by bold simplification of form,

Arrangement (Untitled), c. 1945, oil on canvas board, signed lower right, 22 x 30 inches, presented in an older perhaps original frame $3800 Medard Klein was an American abstract painter and one of the pioneering figures of non-objective art in the Midwest. Born in Appleton, Wisconsin, Klein moved to Chicago in his early twenties. He received formal training at several of the city’s leading institutions. He first studied at the School of the Art at the Art Institute of Chicag

Untitled (Still Life in Landscape), third quarter 20th Century, watercolor on paper, signed lower right, 31 x 22 1/2 inches, presented in an older (perhaps original) frame, the work is double-sided $3,250 Washington DC's Phillips Collection selected Keith Crown's Midwestern Illinois Land (1971) as the key art for its 2025 show Out of Many: Reframing An American Art Collection, an exhibition which the museum described as "a celebration and examination of the beauty and comp

Still Life, 1962, watercolor on paper, signed and dated lower right, 14 1/2 x 19 1/2 inches (sight), label verso bears title and artist's name $950 James Couper Wright was a Scottish-born American painter and educator whose luminous landscapes, architectural scenes, and still lifes made him a respected practitioner within the California watercolor scene during the mid-twentieth century. Although less widely known today than contemporaries such as Millard Sheets or Phil Dike,

Dancing Figures (Untitled), 1944, oil on canvas, signed and dated lower right, 22 x 34 1/4 inches, presented in its original strip wood frame, from the estate of the artist Ernest Rosenthal $18,000 Hans Burkhardt was a Swiss-born American painter whose career bridged the development of Abstract Expressionism in New York and Los Angeles. Although less widely known than some of his contemporaries, he is regarded by many art historians as one of the most important and independen

Abstraction (Untitled), 1949, oil on canvas, signed and dated verso, 30 x 32 inches, presented in a new wooden strip frame $4250 Jerry Opper was an American painter, printmaker, and commercial artist whose work reflected postwar trends in Bay Area modernism and Lyrical Abstraction. Born in Cleveland, Ohio, on September 5, 1924, Opper moved with his family to Los Angeles in 1933, where he developed an early interest in art. After graduating from Hollywood High School, Opper w

That Which Passes, c. 1950, oil on board, signed lower right, 24 x 34 inches $3250 Roman Maraz was an American painter, designer, and educator whose work reflected modernist trends in the American Midwest. His work is often characterized by an uncanny Magic Realist quality, which is evident in That Which Passes. Describing his work in 1941, an art critic noted, that Maraz "is free of shallow realism while he portrays the American landscape with considerable strength and insig