“There is a dedicated formalism in these paintings which are nevertheless ebullient in their total effect . . . .” Marina Stern, Broadway...

1. Winged Victory of Los Angeles , c. 1960, oil on masonite, signed lower right, artist’s name and title verso, 33 x 34 1/2 inches, exhibited: 1) Edward Biberman , Heritage Gallery, Los Angeles, CA, October 8 to 27, 1962 (see i) Biberman, Edward, Time and Circumstance: Forty Years of Painting by Edward Biberman, The Ward Ritchie Press: Los Angeles, (1968), p. 88 (illustrated) - “Once, by chance, I happened to drive under an uncompleted section of one of these soaring ribbons

2. Coronado Bridge #2 , 1971, oil on masonite, signed lower right, 27 ½ x 48, titled verso, Gallery Z label verso, exhibited: 1) Edward...

3. Desert Patio , c. 1973, oil on masonite, unsigned, 24 x 43 ½ inches, titled verso; illustrated (film) Kaufman, Jeffrey, Brush with...

4. Cypress and Tower , c. 1970s, oil on masonite, signed lower right, 22 ½ x 12 inches, titled verso; illustrated (film) Kaufman,...

5. 52nd Street Elevated , 1968, acrylic on board, signed and dated lower right, 19 ½ x 23 inches SOLD Saul Chase is a painter and...

6. 9:23am , 1969, acrylic on canvas, signed and dated verso, 44 ½ x 50 inches, exhibited: 39th Midyear Show , The Butler Institute of...

7. Harlem Division Equivalent , 1979, serigraph on paper, signed and dated lower right, edition “147/200” inscribed lower left, titled...

8. LIRR Entrance in LIC , 1979, serigraph on paper, signed and dated lower right, edition “86/175” inscribed lower left, titled bottom...

9. Brighton Local , 1980, serigraph on paper, signed and dated lower right, edition “152/175” inscribed lower left, titled bottom center,...

10. Gulf Station , 1980, serigraph on paper, signed and dated lower right, edition “10/175” inscribed lower left, titled bottom center,...

11. Ibiza, 1978, watercolor on paper, signed, dated and titled lower right, 13 x 12 inches (sight) SOLD Allan Gould was a New York-born painter, muralist and designer. He attended Dartmouth in 1927 where he served as the Art Editor for the Dartmouth Yearbook. In 1928, Gould moved back to New York City where he worked in advertising while also studying at the Arts Students League. In 1930, Gould became an art instructor at Albion College in Michigan, where he met his future

12. View from Main Reading Room , New York, 1959-60, oil on canvas, signed and dated in pencil verso, 20 x 20 inches, exhibited:...

13. Pleasant Ridge , 1966-7, oil on board, signed, dated and titled verso, 16 x 24 inches, exhibited: Robert Herrmann , Cincinnati Art...

14. Green Shutter (Untitled) , mixed media on masonite, 1972, signed and dated verso, 20 x 16 inches SOLD John Kalamaras was a...

15. Red Building (Untitled), 1972, mixed media on Masonite, signed and dated verso, 19 ½ x 15 ½ inches SOLD John Kalamaras was a...

16. Structural Steel Systems , 1960, oil on canvas, signed and dated lower right, 38 x 25 inches, label verso with artist’s name, title,...

17. Amish Farmscape #2, 1982, gouache, 9 x 12 inches, signed and dated lower right, label verso: “Artist-E. Lewandowski, Title- Amish...

18. Park , 1980, acrylic on canvas, signed and dated lower right, 32 x 48 inches, inscribed verso “Alfred P. Maurice, 2725 A South Michigan Ave, Chicago, IL, 60616, ‘Park”, labeled verso “Maurice 002”, exhibited: Chicago- An Exhibition of Paintings, Photographs, and Sounds by Alfred P. Maurice , A. Montgomery Ward Gallery, University of Illinois at Chicago, Chicago, IL, March 29 to April 9 1982, #18, the Hartmann Center Gallery, Bradley University, Peoria, IL, unknown dates,

19. Antenna , 1980, acrylic on canvas, signed and dated lower right, 32 x 48 inches, “Alfred P. Maurice, 2725 A South Michigan Ave, Chicago, IL, 60616, ‘Antenna’” inscribed verso, exhibited: Chicago- An Exhibition of Paintings, Photographs, and Sounds by Alfred P. Maurice , A. Montgomery Ward Gallery, University of Illinois at Chicago, Chicago, IL, March 29 to April 9, 1982, #17, the Hartmann Center Gallery, Bradley University, Peoria, IL, unknown dates, and the Anderson Art