Still Life in Window (Untitled), c. 1940s, oil on canvas, signed lower right, 29 1/2 x 18 inches, presented in the artist's original frame SOLD William Corasick was a Pennsylvania-based painter best known for his modernist still lifes, such as the present example. His paintings were critically praised in the Philadelphia newspapers, with one author noting that his large floral compositions were "capital bits of work." C. H. Bonte, art critic for The Philadelphia Inquirer, wro

The Tang Figure, 1939, oil on canvas, signed and dated lower left, 17 x 14 inches, titled and dated 5/8/40 verso: exhibited at Paintings by James Chapin, John R. Grabach and Luigi Lucioni, at the Montclair Art Museum (Montclair, New Jersey) from October 3 to October 27, 1940, no.44, provenance: Museum of Art, Kansas City, Missouri, Spanierman Gallery (New York) and Godel & Co. Gallery (New York) (labels verso); listed in Embury, Stuart P., The Art and Life of Luigi Lucioni:

Underground, 1934, mixed media on Masonite, signed and dated lower left, 24 1/4 x 22 1/4 inches, label verso reads: "#62 / Underground / (244) / A. S. Weiner," presented in its original frame SOLD Abraham S. Weiner was a Russian-born American artist whose work included Midwestern Regionalism, Social Realism, and modernism. Born in Russia in 1897, Weiner immigrated to the United States as a child and eventually pursued formal art training at the University of Michigan, Art In

America (Untitled), mid-century, oil on panel, signed lower right, 18 x 24 inches, presented in an older frame SOLD D'Usseau was a California painter, sculptor, illustrator, and cartoonist. His paintings are often characterized by an idiosyncratic form of California modernism. Many of his works like America (Untitled) are filled with whimsy and coded references and symbols. In the case of the present work, D'Usseau appears to depict the United States as a wingless, flag-wavin

Iris Gardens, c. 1920 – 30s, oil on board, signed lower right, 22 x 18 inches, notations verso includes title, artist’s name, and address SOLD Iris Garden is typical of Florence White Williams' approach to Impressionist painting. Williams was well regarded for her still life and landscape painting. Eleanor Jewett, art critic for the Chicago Tribune, wrote in 1931, "Florence White Williams is a painter with decided talent. Her work is fresh, vigorous, enthusiastic and original

Untitled (Farm), c. 1930s, oil on canvas, oil on canvas, signed with estate stamp lower right, 20 x 25 inches SOLD Florence Smithburn is best known for Regionalist paintings of her native Indiana like Untitled (Farm). Writing in 1938 about her thirty-nine-painting solo exhibition at New York’s Argent Gallery, a commentator noted, “The artist is not a stylist. In all her work she has fitted style to subject, and the result shows strength, originality and purpose. Some of the m

Untitled (Modernist Landscape), 1950, watercolor on paper, signed and dated lower right, 21 x 14 inches (image) SOLD Dorothy Lowrey Vorhees' Untitled (Modernist Landscape) fits neatly into the mid-century impulse to depict the built landscape through a stylish, fresh set of eyes, as American Scene painters adapted to the new post-war environment. This work likely depicted an image of the St. Louis area, where Vorhees was living in the early 1950s. In it, she used bold strokes

Valley Farm, 1943, oil on canvas board, signed and dated lower right, 18 x 24 inches SOLD Little is known about apparently untrained painter Elvie Viola Bolton Whited. A native of Arkansas, Whited lived in Oklahoma before arriving in Texas in the early 1920s. According to the 1940 census, she had a third-grade elementary school education and was a housewife and mother to at least five children. Whited's few known paintings are wonderfully naive affairs depicting the American

Fiesta, by 1931, oil on canvas, signed lower left, 30 x 25 inches, exhibited Society of Independent Artists, Grand Central Palace, NY, March 7 – March 30, 1931, no. 366 (remnant of label verso and listed in catalog) SOLD Anna Franke Gonzalez was a New York City-based painter, who was born in Bound Brook, New Jersey. She married Pedro Manuel Gonzalez, a native of Cuba, in 1923. By 1928, she was living on Sullivan Street in Manhattan. Little is known about her art education, bu

Gemini 41A, 1976, oil on canvas, signed lower right, 60 x 40 ¾ inches, inscribed verso “G. Caliman Coxe / Gemini 41A / oil – 76 / 40 ¾ x 60 / 40+”; label verso reads” “G. Caliman Coxe / Gemini 41A / Oil on Canvas / 40 ¾ x 60 / $4,000 / For Sales and Information Please call Roanne Victor 502-582-1265”; likely exhibited at the Art Gallery of The Actors Theater of Louisville, Kentucky SOLD During the last four decades of the 20 th century, Gloucester Caliman Coxe was known as D

Untitled (Abstraction), 1991, mixed media consisting of paper, wood, gesso, pigment, straw, dirt and sand on panel, signed “J. Grant” and dated verso, 24 ½ x 20 x 2 ½ inches SOLD Joe Edward Grant’s art was based on his firm conviction that “No object or material regardless of its seeming uselessness or banality is exempt from being considered in the creation of an image. When found or discarded objects are used and put into a new context, their prior function dies, and a proc

Untitled, 1993, mixed media consisting of sheet metal, paper, ink and pigment on panel, signed “J. Grant” and dated verso, 30 x 12 x 1 ½ inches; labels verso read as follows: 1) “Joe Edward Grant / $700 / Untitled / 1993 / Mixed media / 30 x 12 x 1 ½ inches”; and 2) “Space / 6015 Santa Monica Boulevard / Los Angeles California 90038 / 213 461-8166 / Artist Joe Edward Grant / Date 1993 / Edition Unique / Title Untitled / Media Mixed Media / Dimensions (Height precedes width) 3

1. Abstract Landscape , c. 1950s, oil on canvas, signed verso, 34 x 48 inches SOLD

Bull and Bear , 1967, pencil and acrylic on paper, 25 x 22 1/4 inches, signed and dated lower right SOLD

5. Night Doors II, 1968, pencil and acrylic on paper, signed lower right, 20 x 26 ½ inches, exhibited Marina Stern Paintings, Eleanor Rigelhaupt Gallery, Boston, MA, March 29 to May 1, 1968 (label verso) SOLD

6. Three Moons, 1968, pencil and acrylic on paper, signed and dated lower right, 21 ½ x 26 ½ inches, exhibited Marina Stern Paintings, Eleanor Rigelhaupt Gallery, Boston, MA, March 29 to May 1, 1968 (label verso) SOLD

19. Still Life with Lily , 1987, oil on canvas, signed and dated verso, 50 x 40 inches , exhibited Marina Stern – Venice New Works , Forum Gallery, New York, NY, March 4 to April 1, 1989 (label verso) SOLD

31. Water Jar 1, 2003, oil on Masonite, signed, dated and titled verso, 16 x 16 inches SOLD

32. Water Jar 2 Horizon, 2003, oil on Masonite, signed, dated and titled verso, 16 x 16 inches SOLD

36. MGM Barn, West , 2005, oil on Masonite, signed, dated and titled verso, 24 x 28 inches, literature: Marina Stern Paintings and Drawings , privately published (2015), p. 38 SOLD