Untitled (Farm), c. 1930s, oil on canvas, oil on canvas, signed with estate stamp lower right, 20 x 25 inches SOLD Florence Smithburn is best known for Regionalist paintings of her native Indiana like Untitled (Farm). Writing in 1938 about her thirty-nine-painting solo exhibition at New York’s Argent Gallery, a commentator noted, “The artist is not a stylist. In all her work she has fitted style to subject, and the result shows strength, originality and purpose. Some of the m

Untitled (Modernist Landscape), 1950, watercolor on paper, signed and dated lower right, 21 x 14 inches (image) SOLD Dorothy Lowrey Vorhees' Untitled (Modernist Landscape) fits neatly into the mid-century impulse to depict the built landscape through a stylish, fresh set of eyes, as American Scene painters adapted to the new post-war environment. This work likely depicted an image of the St. Louis area, where Vorhees was living in the early 1950s. In it, she used bold strokes

Gemini 41A, 1976, oil on canvas, signed lower right, 60 x 40 ¾ inches, inscribed verso “G. Caliman Coxe / Gemini 41A / oil – 76 / 40 ¾ x 60 / 40+”; label verso reads” “G. Caliman Coxe / Gemini 41A / Oil on Canvas / 40 ¾ x 60 / $4,000 / For Sales and Information Please call Roanne Victor 502-582-1265”; likely exhibited at the Art Gallery of The Actors Theater of Louisville, Kentucky SOLD During the last four decades of the 20 th century, Gloucester Caliman Coxe was known as D

Untitled (Abstraction), 1991, mixed media consisting of paper, wood, gesso, pigment, straw, dirt and sand on panel, signed “J. Grant” and dated verso, 24 ½ x 20 x 2 ½ inches SOLD Joe Edward Grant’s art was based on his firm conviction that “No object or material regardless of its seeming uselessness or banality is exempt from being considered in the creation of an image. When found or discarded objects are used and put into a new context, their prior function dies, and a proc

Untitled, 1993, mixed media consisting of sheet metal, paper, ink and pigment on panel, signed “J. Grant” and dated verso, 30 x 12 x 1 ½ inches; labels verso read as follows: 1) “Joe Edward Grant / $700 / Untitled / 1993 / Mixed media / 30 x 12 x 1 ½ inches”; and 2) “Space / 6015 Santa Monica Boulevard / Los Angeles California 90038 / 213 461-8166 / Artist Joe Edward Grant / Date 1993 / Edition Unique / Title Untitled / Media Mixed Media / Dimensions (Height precedes width) 3

1. Abstract Landscape , c. 1950s, oil on canvas, signed verso, 34 x 48 inches SOLD

Bull and Bear , 1967, pencil and acrylic on paper, 25 x 22 1/4 inches, signed and dated lower right SOLD

19. Still Life with Lily , 1987, oil on canvas, signed and dated verso, 50 x 40 inches , exhibited Marina Stern – Venice New Works , Forum Gallery, New York, NY, March 4 to April 1, 1989 (label verso) SOLD

31. Water Jar 1, 2003, oil on Masonite, signed, dated and titled verso, 16 x 16 inches SOLD

32. Water Jar 2 Horizon, 2003, oil on Masonite, signed, dated and titled verso, 16 x 16 inches SOLD

36. MGM Barn, West , 2005, oil on Masonite, signed, dated and titled verso, 24 x 28 inches, literature: Marina Stern Paintings and Drawings , privately published (2015), p. 38 SOLD

Jones & Laughlin Mills (Untitled) , 1934, oil on panel, signed lower right, 20 x 24 inches, signed and dated August, 1934 verso, inscribed "Miss Perry" verso, nails from old exhibition label verso; literature: Oh, for the Life of a Carnegie Tech Artist on a Breezy Hilltop This Weather! , The Pittsburgh Press , July 29, 1934 (illustration featuring the artist painting this work (or a study for this work)) SOLD Bernice Perry Sutton was an American painter who worked mainly in P

RFD #1 , 1937, oil on canvas, signed and dated lower right, titled verso, 24 x 30 inches SOLD Iowa had Grant Wood. Missouri had Thomas Hart Benton. Kansas had John Steuart Curry. And, Nebraska had Dale Nichols. Although not as well known as the big three regionalists who captured America’s artistic attention during the 1930s, Dale Nichols was an important chronicler of his home state as well as the broader Midwest. Stylistically, Nichols is known for his spare, idealized port

Indian Dance , 1935, oil on canvas, signed and dated lower left, 30 x 24, label verso reads: “A Kutka / Indian Dance”, title and artist’s name inscribed verso together with number “121”; literature: Yoshiki-Kovinick, Marian and Kovinick, Phil, An Encyclopedia of Women Artists of the American West , University of Texas Press, Austin (1998), p. 179 (illustrated), provenance: the artist to Martin-Zambito Fine Art SOLD Anne Kutka McCosh painted Indian Dance during her honeymoon.

Impending Shadow, 1941, oil on canvas board, signed and dated lower right, 24 x 30 inches, exhibited: 32nd Annual Exhibition of the Associated Artists of Pittsburgh , Carnegie Institute, Pittsburgh, PA, February 12 – March 12, 1942 (label verso) SOLD Impending Shadow is a remarkable depiction of wartime America. Likely painted around the time of the Japanese attack on Pearl Harbor and within a few years of the outbreak of World War II in Europe, Dean depicts the view from an

The Gas Station , c. 1930s, oil on canvas, signed lower left, 25 x 20 inches; presented in newer frame SOLD The Gas Station is a rare Southern California urban scene from the Great Depression. At a time when California art was recognized primarily for watercolors and bucolic plein air paintings of rural scenes, Gilbert’s canvases went in a different direction. As Los Angeles Times art critic Arthur Millier noted, “Gilbert is heavy but he looks outside himself for local cha

Goldmine, Central City, Colorado , c. 1936 - 38, oil on canvas, 28 x 36 inches, signed lower right; provenance includes Platt Fine Art, Chicago (label verso); likely original frame painted gold; included with this work are two studies illustrated below SOLD Joseph Meert’s painting, Goldmine, Central City, Colorado , depicts the short-lived resurrection of a once prominent city just outside Denver. Central City was founded in 1859 soon after John Gregory struck gold in the are

Revelation, 1943, oil and tempera on Masonite, signed and dated lower left, 24 ½ x 18 5/8 inches, titled verso SOLD William Ashby McCloy was an American artist, educator, and clinical psychologist known for his contributions to painting and printmaking. Born in Baltimore, Maryland, McCloy spent much of his childhood in China before returning to the United States at age 13. He pursued an education at the University of Iowa, earning a B.A. in Art in 1933 with highest distinctio

Lonely Road (perhaps also known as The Road Home) , c. 1930s, oil on Masonite, signed lower right, 20 x 30 inches, label verso reads: “Painted CA. 1930s Oil City, PA Sister to Jo (Yvonne) Allmon,” likely exhibited New Year Show , Butler Art Institute, Youngstown, OH, 1948 (label verso), perhaps exhibited at the 47th Annual Exhibition of American Paintings & Sculpture , Art Institute of Chicago, October 22 – December 6, 1936 (Note: there is a second remnant of an exhibition la

High School Freshman , 1948, oil on canvas, signed and dated lower right, 36 x 30 inches, exhibited 14th Annual New Year Show , Butler Art Institute, Youngstown, OH, January 1 to 30, 1949, no. 77 (listed in the catalog) (see also Watercolors Better in 1949 Show , The Binghamton Press , Binghamton, NY, January 7, 1949 (illustrated)) SOLD Martin J. Murray's High School Freshman captures an awkward, suspended moment of adolescence with a haunting mix of formality and vulnerabili