From her early expressionist works of the 1950s, to her “Talkie Pop” and Op-surrealist creations of the 1960s, and her Neo Immaculate paintings of the 1970s and beyond, Marina Stern has been preoccupied with capturing the interplay of light and shadow on the natural, built, and imagined environment. Stern’s contemplation of these concepts was the product of a precocious, multi-faceted, and clever mind. Rarely satisfied with a particular style or subject matter, Stern’s divers

28. Factory #2/Yellow Shed , 1996, oil on canvas, signed and dated verso, 16 x 28 inches $6,000