Indolent Interlude , 1936, oil on board, signed and dated lower middle, 12 x 16 inches, signed verso and inscribed with title and date, exhibited Uncommissioned Portrait Exhibition, American Federation of Arts, traveling show, 1941-42, venues included the California Palace of the Legion of Honor, San Francisco, CA (label verso) and Rembrandt Hall, Pomona College, Pomona, CA (see Portraits Showing At College Collection of Uncommissioned , The Pomona Progress Bulletin , 1942 -

Landscape , 1940, oil on canvas, signed, dated and titled verso: “Marcel Cailliet ’40 – S.C.” and “Marcel Cailliet Landscape” 20 x 24 inches, likely exhibited at the annual juried students' exhibition of paintings at the Fine Arts Gallery of the United States Department of the Interior, Washington, DC., January/February, 1941, organized under the auspices of the United States Office of Education; literature: Students’ Paintings Shown in Washington, The Los Angeles Times , Feb

Rabbit Hunters , egg tempera on Masonite, 9 x 12 inches, 1947, signed and dated lower left, signed, titled and dated verso “Rabbit Hunters Egg Tempera Roger Medearis 1947,” exhibited at Medearis' solo show at Kende Galleries, New York, in 1949 (Medearis’ record book, a copy of which is held by Vose Galleries in Boston, MA, indicates this is painting “No. 23” and that is was completed in 1947 and sold via Kende Galleries (at Gimbel Brothers) in New York in November, 1949, to a

Traffic Post, 14th Street, oil on Masonite, 1952, signed and dated lower right, 48 x 12 inches, exhibited: Reginald Marsh , Whitney Museum of American Art (New York), September 21 to November 6, 1955, #42, The Columbus Gallery of Fine Arts, November 27 to December 25, 1955, The Detroit Institute of Arts, January 13, to February 12, 1956, The City Museum of St. Louis March 2 to April 1, 1956, The Dallas Museum of Fine Arts, April 15 to May 20, 1956, The Los Angeles county Muse

Subway Construction, c. 1928, oil on board, 19 x 15 ¾ inches, signed upper left, artist and title verso; exhibited: 1) 12th Annual Exhibition of the Society of Independent Artists , The Waldorf Astoria, New York NY, from March 9 to April 1, 1928, no. 864 (original price $250) (see Death Prevailing Theme of Artists in Weird Exhibits , The Gazette (Montreal, Quebec, Canada), March 8, 1928); 2) Boston Tercentenary Exhibition Fine Arts and Crafts Exhibition , Horticultural Hall,

East River (Untitled) , c. 1940s, oil on canvas signed lower right, 18 x 24 inches $3,250 Isabella Markell was a painter, etcher, and sculptor, who is best known for her New York City scenes, such as East River (Untitled).   Markell's brushy style draws on Expressionist, Post-Impressionist and even Ashcan conventions to present a spare, almost sketchy modernist image of a quintessentially American landscape. A native of Superior, Wisconsin, Markell spent most of her adult lif

Landscape with Old Tree, c. 1931, oil on canvas, 30 x 36 inches, signed lower right; artist, title and original price ($1,000) on label...